joyce martin sanders biography

Family, friend, or fan, this family history biography is for you to remember Joyce E. (Sanders) Martin. tippy('#footnote_plugin_tooltip_1524_1_58', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_58').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Blevins links the emergence of the Ozark image to the cultivation of cotton, which transformed the lowlands and delta of Arkansas's east, middle, and south into vast mechanized agricultural zones. Beyond the style it captures, this clip points to the structures of thought and feeling that underlie The Martins's appeal and southern gospel music more generally. 'Cause I've waited my whole life. She has two children. Claiming a home in southern gospel grounds The Martins in an imagined identity that they in turn hold out for fans seeking models of stability and reassurance in an extended moment of great cultural change and instability for white evangelical fundamentalist religious culture. tippy('#footnote_plugin_tooltip_1524_1_55', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_55').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); That legacy of subsistence and pervasive poverty persists. tippy('#footnote_plugin_tooltip_1524_1_24', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_24').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If much of CCM musically enciphers the aspirations of evangelicalism's dominant demographicsuburban, white, seeker-centered25"Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. 33 Southern gospel product sales This model "avoided conventional church approaches, using . Fayetteville: University of Arkansas Press, 2009. Jonathan Martin lives in West Des Moines, Iowa with his wife, and their six children, including twin boys, one of which has cerebral palsy. Compact Disc. Southern gospel denotes "an overlapping, commercialized national network of musical products, professionals, and their fans, commonly referred to as 'the industry'" (Harrison, Then Sings My Soul, 45). Judy Martin Hess (b. EIN: 95-2844062. Ann Arbor: University of Michigan Press, 2009. "39Jennifer Lena, Banding Together: How Communities Create Genres in Popular Music (Princeton: Princeton University Press, 2012), 2. tippy('#footnote_plugin_tooltip_1524_1_39', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_39').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); My approach attends to southern gospel as a musical style,40Lower compositional sophistication, more uneven production quality, and rougher cuts by commercial standardsall defining features of the southern gospel sound of the past twenty yearscan function for many evangelicals and fundamentalists as indices of a more real music and catalysts for a more authentic experience of the religious self. The MartinsJoyce Martin McCullough, Judy Martin Hess, and Jonathan Martingrew up in Hamburg, Ark., (pop. But professional southern gospel has always been strongly grounded its history and identity in the male quartet. "Southern gospel" remains the preferred term in the study of white gospel music of the South. There is also the sense that The Martins's appeal reaches across the spectrum of religious beliefs and musical tastes that form the conservative end of the white Christian music entertainment market. . Joyce Martin is a well known gospel singer. tippy('#footnote_plugin_tooltip_1524_1_28', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_28').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Professional southern gospel emerged from a Reconstruction-era subculture of poor and working-class white southerners. Judy Martin is married to Jake Hess, Jr., the son of the legendary southern gospel lead singer Jake Hess. Rather, I aim to map a specific hot spot within the psychosocial terrain of contemporary professional southern gospel as an instance of a broader phenomenon that could be explored in US southern and rural imaginaries. For more on links between country and gospel, see Douglas Harrison, "Grace to Catch a Falling Soul: Country, Gospel, and Evangelical Populism in the Music of Dottie Rambo," in Walking the Line: Country Music Lyricists and the American Culture, edited by Roxanne Harde and Thomas Alan Holmes (Lanham: Rowman and Littlefield, 2013), 7796. 436 (1997): 169188. Key figures include Ira Sankey (the evangelist Dwight Moody's song leader), Homer Rodeheaver (Billy Sunday's music director), and George Beverly Shea (Billy Graham's most famous soloist). Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, ", In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. Sharing her life with transparency is her passion. "Southern" gospel has its own difficulties, not least the fact that not all gospel from, of, or appealing to people in the South is a white enterprise. "Home" functions primarily in southern gospel as a meaning-making tool for experience in this life, not the next. The Martins - Infogalactic: the planetary knowledge core Sunday services to reach the unchurched through polished music, multimedia, and sermons referencing popular culture and other familiar themes. "51Harrison, Then Sings My Soul, 5. tippy('#footnote_plugin_tooltip_1524_1_51', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_51').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); As The Martins achieved fame and renown, they did so less because of what and how they sang, and more because of the way in which they have presented themselves and their music, and the way the Gaither Homecoming appropriated them as children of traditional gospel values at a moment when the viability of these values was perceived to be in question. Just as significantly, while From Kentucky With Love, or From the Smoky Mountains With Love, would probably be received with the same warmth and enthusiasm that greeted The Martins's music, the precise structure of a Kentucky imaginary or a Smoky Mountain imaginary would be located in the meaning-making of those places. Taylor, Charles. But so too are there imaginaries rooted in the history, mores, and culture of more particular geographies requiring study to understand their cultural formations and uses. Following the rapture is Tribulation, a seven-year period during which Anti-Christ reigns on earth, Millennium (during which time Satan is bound), and ultimately the establishment and eternal reign of Christ's kingdom. Dayton, The Theological Roots of Pentecostalism (Grand Rapids: Francis Asbury Press, 1987); and Dodrill, "Evangelicalism Examined . "13Harrison, Then Sings My Soul, 103. tippy('#footnote_plugin_tooltip_1524_1_13', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_13').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Consequently, in what follows, "southern gospel" stands as shorthand for professional, commercialized white gospel from, or culturally aligned with, the evangelical fundamentalist South. Bill Gaither, Tallahassee, Florida, 2006. So, we're in the little church in Anderson, Indiana, and they are rehearsing for the next day and we're in the foyer. See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music," Studies in Popular Culture 20, no. tippy('#footnote_plugin_tooltip_1524_1_60', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_60').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); What emerges in The Martins's interview echoes Anthony Harkins's observations about constructed hillbilly rusticity: "Middle-class white Americans [can] see these people [hillbillies] as a fascinating and exotic 'other' akin to Native Americans or Blacks, while at the same time sympathize with them as poorer and less modern versions of themselves. His interview enacts a modern gospel version of the venerable Arkansas Traveler colloquy in which a high-born southerner (the Traveler) engages an Arkansas Squatter in a dialogue about the differences of class and geography.60Bill Clinton's presidential campaign used the Traveler name and image as a way to strengthen his populist appeal running against a Washington insider. No Sympathy For the Devil: Christian Pop Music and the Transformation of American Evangelicalism. Modern Social Imaginaries. Certainly there are southern and rural imaginaries writ large and available for scholarly scrutiny. Sometimes this includes, Sales of "Christian/Gospel" (which consists overwhelmingly of CCM and black gospel music, but also includes some southern gospel) reached a high point in 1998, totaling $836 million; in 2012, total sales in the same category were $24.2 million. The camera cuts back and forth between The Martins and Gaither, occasionally taking in the four of them in a wide shot. Cambridge: Harvard University Press, 2009. Mark Noll has described this process as one focused on the formation of a parallel but separate evangelical culture meant to preserve pietistic thought and action perceived to be under attack and threat of extinction by secularization. November 13, 2001, accessed September 23, 2013, http://www.crosswalk.com/1108828/. From the start, the case of The Martins is linked to the state of their birth. Joyce Martin Sanders Lyrics, Songs, and Albums | Genius Molly Worthen has mapped contemporary evangelicalism's uneasy relationship with post-modernity and religious self concept. For faster navigation, this Iframe is preloading the Wikiwand page for The Martins. 1 (2008): 2758. Joyce Martin Sanders is listed in the credits for the following albums: Year Artist Album Role ; 2013: Jason Crabb: Love Is Stronger: Guest Vocals : Joyce Martin Sanders. My reading sees race, racism, and a racialized concept of self and other in southern gospel as an important, not always dominant, factor in the emergence of "southern gospel" and the cultural function of the music. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. Joyce Martin Sanders Weight Loss In essence, we are an agricultural area. tippy('#footnote_plugin_tooltip_1524_1_11', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_11').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The rise of "southern" gospel emerged in response to a network of cultural tensions, social conflicts, and religious instabilities.12These longstanding conflicts precede the twentieth century. Help; Joyce Martin-Sanders View source History Unlike "northern urban" gospel (a phrase with no currency outside academe), it is the preferred way to self-identify within the culture and the most widely recognized way to describe the music to outsiders. tippy('#footnote_plugin_tooltip_1524_1_17', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_17').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Such an approach asks how southern gospel artists (most from beyond the state) use Arkansas's status as an imaginative resource to make sense of themselves and their music in late twentieth and early twenty-first century fundamentalist Protestantism.18I have in mind the period in American conservative and fundamentalist evangelicalism inaugurated by Richard Nixon's conjuring of the "silent majority" of cultural traditionalists who opposed the advance of liberal policies and social practices in the US. DVD. Finally, I'm grateful to The Martins and so many other southern gospel performers for making music that has held me in thrall and demanded to be taken seriously. See full bio . Joyce Martin was married to Alton G. Martin on October 1, 1983 in Rockwall County, Texas. See Harrison, Here, I am borrowing an image first popularized by Ray Stevens in ", Although CCM borrows heavily from mainstream secular music and performance styles, it does so to cultivate a canon of popular music that signifies Christianity's cultural relevance and the music's evangelistic savvy, while claiming a special status derived from CCM's pious commitments to conservative evangelical values and theological positions. Joyce Martin-Sanders - Biography - IMDb Nominated in the "Gospel/Contemporary Christian Music" category, CCM soloist Natalie Grant attended the ceremony, only to leave before the show ended. tippy('#footnote_plugin_tooltip_1524_1_15', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_15').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Arkansas has undergone considerable stereotyping in the US imagination.16Brooks Blevins, Arkansas/Arkansaw: How Bear Hunters, Hillbillies, and Good Ole Boys Defined a State (Fayetteville: University of Arkansas Press, 2009), 4. tippy('#footnote_plugin_tooltip_1524_1_16', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_16').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); To speak of an "Arkansas imaginary" in this essay is to conceptualize Arkansas as a siteparticularly among poor and working-class white evangelicals and fundamentalistsfor the practice of religious life, or "lived religion. I have in mind the period in American conservative and fundamentalist evangelicalism inaugurated by Richard Nixon's conjuring of the ", 1990 coincides roughly with the emergence of what would become the, Within southern gospel, "CCM" designates nearly all other forms of commercial Christian music deemed insufficiently pious or overly commercialized (marketed in ways different from southern gospel). . The Martins Net Worth 2023: Wiki Bio, Married, Dating, Family, Height Actress. For more on the demographic profile of southern gospel see Harrison. . Unlike "northern urban" gospel (a phrase with no currency outside academe), it is the preferred way to self-identify within the culture and the most widely recognized way to describe the music to outsiders. In commercial Christian music, this transformation foregrounded oft-blurred distinctions between "evangelicals" and "fundamentalists." . Many southern gospel performers and groups incorporate covers of traditional black gospel songs and spirituals into their repertoire. These congregations structured worship, congregational culture, and church outreach to target "those who had never established a relationship with Christ and the Church, and those trying to reconnect" (Lester Ruth, "Lex Agendi, Lex Orandi: Toward an Understanding of Seeker Services as a New Kind of Liturgy," Worship 70, no. But I'll say this: I've never been more honored to sing about Jesus and for Jesus. The basic details provided here derive largely from The Martins's disclosures on stage, press coverage, conservations I have had with industry professionals, and my experience. Lord, is this my time. The southern gospel condemnation of CCM has long and deep roots.28Although CCM borrows heavily from mainstream secular music and performance styles, it does so to cultivate a canon of popular music that signifies Christianity's cultural relevance and the music's evangelistic savvy, while claiming a special status derived from CCM's pious commitments to conservative evangelical values and theological positions. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. [5] Jonathan Martin (b. The Martins on growing up in gospel and how time apart changed their tippy('#footnote_plugin_tooltip_1524_1_8', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_8').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); So it is tempting to assume that the emergence of "southern" to describe the music since the 1960s matters only as an unsubtle substitute for the more racially antagonistic "white." tippy('#footnote_plugin_tooltip_1524_1_1', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_1').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In its modern, commercial form, southern gospel emerges "from a broad-based, post-Civil War recreational culture built around singing schools and community (or 'convention') singings popular among poor and working-class whites throughout the South and Midwest. While growing up poor in rural Arkansas, the three often practiced singing together, and released their self-titled debut album in 1994 on Chapel Records. The Martins - American Profile The Martins's success draws upon an Arkansas imaginary that features a racially unconflicted working-class identity as well as a constellation of musical associations, cultural affinities, and attitudes grounded in piety, rusticity, and close harmony. Their mother, Wylma, who also is a gifted singer, served as booster and vocal coach for her three children. As Stephen Shearon has noted, both white and black gospel have "liked aspects of what the other was doing" ever since blacks and whites began singing sacred music near one another in North America. For branding of the natural state, see Arkansas.com, Arkansas Department of Parks and Tourism, accessed October 15, 2013, http://www.arkansas.com. Grove Music Online. Biography Mini Bio (1) Joyce Martin-Sanders is known for Gaither's Pond (1997). To Serve God and Wal-Mart. (Jennifer Jones, ", For a cogent analysis of how shape-note gospel from the South mediated cultural conflicts and status instabilities of white, southern farmers, see Gavin James Campbell, "'Old Can Be Used Instead of New': Shape Note Singing and the Crisis of Modernity in the South, 18801920,", Premillennial dispensationalism has been the dominant theological paradigm for fundamentalist evangelicals in the United States since the mid-nineteenth century. 1 (1997): 7582; and Harrison, "Grace To Catch a Falling Soul." 1 (2008): 2758. The Martins - Wikiwand Comparatively little has been published about The Martins's biography beyond birth, marriages, and professional accomplishments.41The basic details provided here derive largely from The Martins's disclosures on stage, press coverage, conservations I have had with industry professionals, and my experience. "17On "lived religion," see David D. Hall, Lived Religion: Toward a History of Practice (Princeton: Princeton University Press, 1997), 321. Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. The cultural difference between the Ozark/Ouachita and Mississippi Delta regions of Arkansas is aptly captured by/in two recent films. Goff, Close Harmony, 264282, traces these and other important bluegrass groups in southern history. Decade. See Shearon et al., "Gospel Music." Singing and songwriting is what Joyce does. The Willow Creek megachurch, under the leadership of Bill Hybels, is the most prominent example of a seeker-sensitive church. Sign up for updates about Better Together on TBN. tippy('#footnote_plugin_tooltip_1524_1_46', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_46').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The paradox of The Martins's Homecoming reputation as masters of classic gospel hymnody and their much wider stylistic reach and renown before and beyond the Homecoming stage suggests that there is more to their appeal to southern gospel audiences than can be accounted for by their music. You can take them anywhere. North American gospel history and the cultural realities of contemporary southern gospel defy further generalization. See Robert K. Whalen, "Premillennialism,". Photograph by Judy Baxter. Lord, let it be so, not just a dream. There is an associationalas opposed to primarily musicallogic to this appeal that tracks with broader "patterns of cultural experience and affiliation." In this context, gospel music functions as a style of vernacular religious entertainment and a form of evangelical cultural experience transcending denominations or confessional traditions. tippy('#footnote_plugin_tooltip_1524_1_54', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_54').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); connecting their identities, the group's history, and their Arkansas roots with the force of southern gospel music. She is divorced and has been for some time, but the date of her divorce is not listed. The Gaither interview invites viewers to imagine them as representing a set of hill-country valuesa love of hunting, closeness to nature, self-sufficiency, and cultural isolationthat Blevins argues have over the course of two centuries come to stand in for all (white) Arkansans.58The cultural difference between the Ozark/Ouachita and Mississippi Delta regions of Arkansas is aptly captured by/in two recent films. Faithful to the cause | | newspressnow.com The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. Moreton, Bethany. "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head. Southern Gospel's Decline and the Sister-Bertha-Better-Than-You Effect, The Cultural Consolations of the Hillbilly, Tradition, Progress, and Cultural Instability, Music Album Sales in the United States in 2012, by Genre, The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut, Natalie Grant Responds after Leaving Grammys Early, National Quartet Convention Ending Long Run in Louisville, Then Sings My Soul: The Culture of Southern Gospel Music. Dionne Dismuke, Joyce Martin Sanders, Judy Martin Hess, TaRanda Greene - Official Video for 'I Stand Amazed (Live)', available now!Buy the full length DVD/CD. Several prominent bluegrass and old time families have been mainstays of southern gospel since family acts began to emerge in the 1930s and 1940s: most prominently, The Lewis Family and The Chuck Wagon Gang, and later the Primitive Quartet, The Easters, and The Isaacs. Interestingly, Willow Creek leaders published a study conducted by the church in 2008 that indicated the seeker-sensitive model did not reliably lead to consistently reported levels of spiritual development or maturity among those who were attracted to the church by its seeker sensitivity (Greg Hawkins and Cally Parkinson, Reveal: Where Are You? In 2013, the Doves moved back to Nashville, not to the Grand Ole Opry House but to the auditorium of a small religious college in the suburbs (Dave Paulson, "Dove Awards Fly Back to Nashville," USAToday.com, October 14, 2013, accessed January 28, 2014, http://www.usatoday.com/story/life/music/2013/10/14/dove-awards-nashville/2984327/). The Fan Who Knew Too Much: Aretha Franklin, the Rise of the Soap Opera, Children of the Gospel Church, and Other Meditations. My use of "evangelical" follows George Marsden's, denoting Protestant thought and action shaped by Reformed theology. Joyce Martin Sanders | Christian Music Archive Christ's return coincides with the rapture of living Christians and the raising of the righteous dead to heaven. tippy('#footnote_plugin_tooltip_1524_1_29', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_29').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); But the development of professional gospel resonates most powerfully as part of white fundamentalist evangelical withdrawal from mainstream secular society over the long twentieth century. Researched in the 1990s and published in 2002, Close Harmony traces the music's development from the nineteenth century. See Heilbut, "Black Urban Hymnody." Edit. Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. At the end of the nineteenth century and into the first three decades of the twentieth century, southern white gospel was dominated by convention singings that relied on the regular release of small octavo shape-note songbooks such as Crowning Day. Why did Joyce Martin divorced? - Answers GMA has drastically shifted its outreach and marketing emphasis toward black gospel artists and groups, going so far in 2011 as to move the Dove Awards from Nashville's Grand Ole Opry to Atlanta, the unofficial capital of black gospel music. It is difficult to lend much credence to this account unless Gloria Gaither's opinion and judgment plays a much more determinative role in the Gaither image and Homecoming productions than is generally allowed or assumed. tippy('#footnote_plugin_tooltip_1524_1_63', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_63').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In considering The Martins's arrival "From Arkansas With Love," I have demonstrated how a network of religious, geographic, and cultural associations merge in the construction of imagined place. From Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics, and the Rise of Evangelical Conservatism. Blevins, Brooks. "2Ibid., 2. tippy('#footnote_plugin_tooltip_1524_1_2', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_2').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This tradition is distinctive for its cultivation of close harmony sung in ensemblestraditionally male quartets, a formation that dominated the commercial sector of southern gospel through roughly the first half of the twentieth century, and more recently, mixed-gender foursomes and trios, often comprising family members.3Today's professional southern gospel includes many family and mixed gender foursomes and trios, configurations that were and are common in the singing convention world that dominated southern gospel in the late nineteenth century and early twentieth century. Joyce Martin-Sanders is known for Gaither's Pond (1997). These distortions and elisions are at work in the Gaither video biography of The Martins that points to aspects of the Arkansas imaginary distinct from generalized assumptions about white trash and hillbillies. This essay is interested primarily with professional southern gospel, which descends from convention singing but has been distinct from it since the 1930s and 1940s. Heilbut, Anthony. From Arkansas with Love: Evangelical Crisis Management and Southern April 13, 2013, accessed October 15, 2013, http://bber.unm.edu/. Martin P. Joyce might be a juvenile justice worker in Youngstown, Ohio. Business as Mission . Premillenialists espouse a literalist interpretation of scripture that foresees the imminent return of Christ to earth. 32 Their success in the late 1980s and early 1990s coincided with the resurgence of cultural separatism that has come to dominate southern gospel discourse. He was very busy and was getting ready for the next day's video. For more on the rise and spread of southern gospel regionally and nationally, see James R. Goff Jr., Close Harmony: A History of Southern Gospel (Chapel HIll: University of North Carolina Press, 2001), 50109; Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990), 153162; 171176. When and where did baseball player Bob Joyce die? The Martins's family narrative emphasizes anti-modern, unsophisticated, and materially modest childhoods, reinforced with a washed-out photo of the family's ramshackle cabin. May 3, 1971) lives in Columbus, Georgia with her husband Jake Hess Jr. and their four children. He just finished getting a tech degree in musical engineering. Gaither Homecoming is a popular series built on themed video recordings, live concerts, and a host of related residuals-generating merchandise.42In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. Joyce Martin-Sanders - IMDb October 14, 1928 in San. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. (See Harrison, Then Sings My Soul, 182183). . DVD. "Mom and Dad both instilled that in us that if you had a talent to sing, you should get up. This dynamic was captured in the 2014 Grammys. Just as I Am: 30 Favorite Old Time Hymns, was nominated for a 1998 Grammy in the same category. They have won several Dove Awards (Christian music's Grammy) in the southern gospel, inspirational, and Christian country categories, and received a Grammy nomination in the Best Southern, Country, or Bluegrass Gospel Album category. Christ's return coincides with the rapture of living Christians and the raising of the righteous dead to heaven. ", References to Bennett's birthplace in Strawberry, Arkansas, were staples of Cathedrals concerts, several of which I attended, in the 1980s and 1990s. Broadcasting Since 1973. "Fundamentalism" indicates evangelicals for whom militancy in resistance to liberalism is the defining feature of lived religion.22George Marsden, Understanding Fundamentalism and Evangelicalism (Grand Rapids: Eerdmans, 1991), 15.